EVSFT003: Correspondences, by Morgan Evans-Weiler

EVSFT003: Correspondences

by Morgan Evans-Weiler

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zwanzig_hertz A pocket monolith, a complete journey to find yourself lost in! Favorite track: Correspondence III. (Realization by Sarah Hughes and Patrick Farmer).

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Compact Disc (CD) + Digital Album
Printed using eco-friendly ink and housed in a lovely 4/4 Eco-Pak with on-CD color artwork and 16-page full-color booklet.

Includes unlimited streaming of EVSFT003: Correspondences via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Full Digital Discography

18

releases

Get all 18 Editions Verde releases available on Bandcamp and save 25%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of EV014: Moths, EVD002: 20 Days in Mariupol (Original Motion Picture Soundtrack), EV013: Tombstones: Live in Brooklyn, EV011: Globes (Original Soundtrack Album), EV012: Four Names and a Song, EV010: Out of Our Hands, EVSFT004: Parallel Prints, EVSFT003: Correspondences, and 10 more. , and , .

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1.	Correspondence I. (Realization by Joseph Clayton Mills) 10:38	buy track
2.	Correspondence II. Charged (Realization by Fraufraulein) 03:03	buy track
3.	Correspondence II. Linear (Realization by Fraufraulein) 04:32	buy track
4.	Correspondence II. Natural (Realization by Fraufraulein) 04:55	buy track
5.	Correspondence II. Transparent (Realization by Fraufraulein) 04:23	buy track
6.	Correspondence III. (Realization by Sarah Hughes and Patrick Farmer) 24:00	buy track

about

With Correspondences — the third release Editions Verde’s series "Seeing the Forest in a Tree" — Morgan Evans-Weiler explores one conceptual idea with three iterations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer. Evans-Weiler’s Correspondences came in the form of an invitation for these artists to interact with his score by the same name and each audial-sculptural realization (the visual aspect is highlighted in the included 16-page booklet) has its own ecological temperament of organic materials and balances within the eye and ear. As Hughes writes in the liner notes: “Morgan Evans-Weiler invited me to realise a newscore intended to be interpreted as both sound and sculpture. For me, these are similar materials: one, a contouring of duration, the other, a contouring of matter. Both are made coherent through processes of composition and/or placement in space.” These three carefully crafted recordings offer a rewarding listening experience for established fans of Morgan’s persistent and impassioned career as a performer and composer while those unfamiliar with Evans-Weiler’s previous work will undoubtedly feel an intrigue for the process and an appreciation for the experience to view his sonic sculptures from three angles.

credits

released January 7, 2022

Composed by Morgan Evans-Weiler

All tracks produced, recorded, and mixed by the respective performers

Mastered by Luke Damrosch at Efferent Productions

Images provided by S. Hughes, B. Gomberg, A. Guthrie, and J. C. Mills

Design, layout, and production by Jordan Dykstra

First printing by Atomic Disc in November 2021, booklet printing by UPrinting

www.morganevansweiler.com

© & ℗ Editions Verde, 2022

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Editions Verde Brooklyn, New York

Editions Verde is a cottage industry publisher exploring the relationship between physical and experimental sound objects.

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