Get all 18 Editions Verde releases available on Bandcamp and save 25%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of EV014: Moths, EVD002: 20 Days in Mariupol (Original Motion Picture Soundtrack), EV013: Tombstones: Live in Brooklyn, EV011: Globes (Original Soundtrack Album), EV012: Four Names and a Song, EV010: Out of Our Hands, EVSFT004: Parallel Prints, EVSFT003: Correspondences, and 10 more.
Editions Verde Brooklyn, New York
Editions Verde is a cottage industry publisher exploring the relationship between physical and experimental sound objects.
editionsverde (at) gmail (dot) com
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Performances & Recordings 1998-2018
by Charles Curtis
supported by 9 fans who also own “Correspondence I. (Realization by Joseph Clayton Mills)”
Sounds like lines. Conducive to bringing out the unknown forms that lurk in our minds.
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supported by 9 fans who also own “Correspondence I. (Realization by Joseph Clayton Mills)”
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supported by 9 fans who also own “Correspondence I. (Realization by Joseph Clayton Mills)”
After 25 minutes of wandering piano keys, gurgling and whirring electronics, unidentified field recordings, solemn French horn and plucked bass, we reach something resembling a “song” at the tape’s end. It’s not the destination, but the journey, some might say, but in this case, the earthy headphone muck asks if the dream quest ever truly ends. https://www.vikingschoice.org/archive/amp-stacked-ambient-japanese-folk-black-rave/
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Patterned after the Doomsday Clock, each of the art pop songs on this comp come to a hard stop after 100 seconds.
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Lee "Scratch" Perry's Guide to the Universe
by New Age Doom
Created in partnership with the Canadian noisemakers, the late legend's final collaborative LP enshrines his ability to lift joint ventures into otherworldly territory.
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featured on Bandcamp Radio Jul 14, 2020
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The Reinvention of Romance
by Sarah Hennies
supported by 9 fans who also own “Correspondence I. (Realization by Joseph Clayton Mills)”
My humanities professor showed me this piece and i cannot stop coming back to it. Something deep and alluring of this piece keeps me wanting more. Absolutely one of my favorite cuts from last year.
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